Table Of Content
- Rock and Roll Hall of Fame
- Finalists for the National Medal for Museum and Library Service!
- What made Maurizio Pollini a piano god? Even his late recordings are a revelation
- Louis Armstrong Center
- Satchmo’s Wonderful World: Louis Armstrong Center Amplifies An Artist’s Vision
- The Best of Bob Pool: An L.A. storytelling original
- Tours
We are delighted to offer you multiple curated pages about Louis Armstrong’s relationship to his home in the Queens neighborhood of Corona. If you’d like to support LAHM and its mission, please visit our Support page. Swinging, classic performances by two jazz giants and a top rhythm section.
Rock and Roll Hall of Fame
Released from the Waif’s Home in 1914, Armstrong set his sights on becoming a professional musician. Mentored by the city’s top cornetist, Joe “King” Oliver, Armstrong soon became one of the most in-demand cornetists in town, eventually working steadily on Mississippi riverboats. For collectors, this is an invaluable complete edition of the most important recordings in jazz history.
Finalists for the National Medal for Museum and Library Service!
Untapped New York unearths New York City’s secrets and hidden gems. Discover the city’s most unique and surprising places and events for the curious mind. Image from the Louis Armstrong Museum courtesy of Shore Fire Media. The Conservancy would like to thank the staff at the Louis Armstrong House Museum and our tour guides David Reese, Curator and Jennifer Walden Weprin, Director of Marketing.
What made Maurizio Pollini a piano god? Even his late recordings are a revelation
His act included singing and telling tales of New Orleans characters, especially preachers.[44] The Henderson Orchestra played in prominent venues for white patrons only, including the Roseland Ballroom, with arrangements by Don Redman. Duke Ellington's orchestra went to Roseland to catch Armstrong's performances. The Louis Armstrong Archive, the world's largest for any single jazz musician, was established at Queens College in 1991. A dozen years later, the brick-faced home, already a registered landmark, opened to the public as the Louis Armstrong House Museum — a lovingly tended time capsule, and a humble but hallowed site of pilgrimage for fans from around the world. Despite his international fame and acclaim, jazz legend Louis Armstrong retired to an unpretentious home in a quiet Queens neighborhood, which is now a museum dedicated to the musician. After our tour concluded, we also learned about the forthcoming Louis Armstrong House Museum Education Center, which will sit on the site located across the street from the house museum.
Louis Armstrong Center
Norman Granz then had the vision for Ella and Louis to record Porgy and Bess. On various live records he is called "Louie" on stage, such as on the 1952 "Can Anyone Explain?" from the live album In Scandinavia vol.1. The same applies to his 1952 studio recording of the song "Chloe", where the choir in the background sings "Louie ... Louie", with Armstrong responding "What was that? Somebody called my name?".
NYC's Louis Armstrong House Museum massive new center opens in July - Time Out
NYC's Louis Armstrong House Museum massive new center opens in July.
Posted: Thu, 15 Jun 2023 07:00:00 GMT [source]
Satchmo’s Wonderful World: Louis Armstrong Center Amplifies An Artist’s Vision
Performs in Sweden, Denmark, the Netherlands, Germany, and Italy. Has heart attack in Spoleto, Italy and is briefly hospitalized. Appears on The Ed Sullivan Show, and the Bing Crosby Oldsmobile Show. Six-week concert tour with Benny Goodman cut short after Goodman becomes ill. Portrays Bottom in the musical Swingin’ the Dream, a jazz version of Shakespeare’s A Midsummer Night’s Dream. Begins a six-month engagement at the Cotton Club (New York).
The Best of Bob Pool: An L.A. storytelling original
"Lewie" is the French pronunciation of "Louis" and is commonly used in Louisiana. On February 28, 1948, Suzy Delair sang the French song "C'est si bon" at the Hotel Negresco during the first Nice Jazz Festival. On June 26, 1950, he recorded the American version of the song (English lyrics by Jerry Seelen) in New York City with Sy Oliver and his Orchestra. When it was released, the disc was a worldwide success and the song was then performed by the greatest international singers. Bookings for big bands tapered off during the 1940s due to changes in public tastes.
days that rocked USC: How a derailed commencement brought ‘complete disaster’
While Corona may seem like an unlikely place to house a museum, no other location would be appropriate to honor Armstrong’s legacy. After all, he was always eager to get away from the fame and return to his modest home, where Lucille and the neighborhood kids would be waiting for him. Performs in Las Vegas, Pennsylvania, Maine, New York, and Mexico. Films a scene for the motion picture Hello Dolly with Barbra Streisand.
Tours
We strongly advise visitors take mass transit or rideshare to visit the Museum. Street parking is very limited in our residential neighborhood. Please, be mindful that the museum will be closed on Saturday, April 27. Be sure to select “other dates” and “other times” on the tickets link to find an available date. Michela has had the honor of working with many legends like Anna Deavere Smith, Wynton Marsalis, Quincy Jones, Jon Batiste, Roy Hargrove, Steve McQueen and more. She very proudly, was mentored by some of the masters of tap dance including Gregory Hines, Buster Brown, Leroy Myers, Peg Leg Bates, Marion Coles, Jeni LeGon and Mable Lee.
Today, the house serves as a historic museum that presents concerts and educational programs. An archive of writings, recordings and memorabilia is also available to the public for research, bringing the history of jazz to life. One of the world’s most renowned jazz musicians and entertainers; Louis Armstrong lived in this modest Queens home from 1943 until his death in 1971.
Accompanied by the Afro Latin Jazz Ensemble (ALJE), Arturo leads an octet of jazz virtuosos, paying homage to Latin jazz pioneers while pushing the boundaries of the genre with contemporary compositions. Their electrifying performances have garnered international acclaim, from prestigious festivals to iconic venues worldwide. The historic Armstrong home is open for tours by advance registration, Thursdays through Saturdays. Get our big stories about Hollywood, film, television, music, arts, culture and more right in your inbox as soon as they publish.
The Museum is administered by Queens College, City University of New York. Photos and audio courtesy of the Louis Armstrong House Museum. Appears on the Big Show (a hit radio variety show) with Tallulah Bankhead. Has a hit with “Blueberry Hill.” Records with Louis Jordan and with Sy Oliver.
By the end of Armstrong's life, his influence had spread to popular music in general. Armstrong was one of the first popular African-American entertainers to "cross over" to wide popularity with White and international audiences. He rarely publicly discussed racial issues, to the dismay of fellow African Americans, but took a well-publicized stand for desegregation in the Little Rock crisis.
On the next day, March 19, 1919, Armstrong and Parker married at City Hall.[86][87] They adopted a three-year-old boy, Clarence, whose mother, Armstrong's cousin Flora, had died soon after giving birth. Clarence Armstrong was mentally disabled as a result of a head injury at an early age, and Armstrong spent the rest of his life taking care of him.[88] His marriage to Parker ended when they separated in 1923. Armstrong adapted to the tightly controlled style of Henderson, playing trumpet and experimenting with the trombone. The other members were affected by Armstrong's emotional style.
Performs at a birthday celebration for President John F. Kennedy on May 23, 1963. Joe Glaser becomes Louis’s manager (and remains Louis’s manager until his death in 1969). Appears at Connie’s Inn in New York City (the ensemble is billed as “Louis Armstrong and His Orchestra”) and the performances are nationally broadcast over CBS radio.
The museum offers daily guided tours to visitors from around the world and features a variety of programs, including concerts, lectures, and seminars. Johnny Collins becomes Louis’s manager, against Rockwell’s objections. Performs at the Roof Garden of the Kentucky Hotel in Louisville, making Louis the first black American to do so. Makes a triumphant return to New Orleans—his first visit since he departed in 1922. Records “When It’s Sleepytime Down South,” which becomes his theme song. In 1922, King Oliver sent for Armstrong to join his band in Chicago.
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